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Not long after I started reading a lot of science fiction, I thought I should read “the classics.” Catch is, many of them didn’t really interest me as much as they supposedly should have.

I remember struggling through Dune and I was about 2/3 of the way through. For me, the book never “caught” — it never became an easier read — and generally I’ll give a difficult book about 1/3 of the way through to catch. (As a comparison with a more recent book, it took about 1/3 of the way through for The Windup Girl. Incredible book.)

Anyhow, I happened to see this article again today when I was checking Don Melton’s blog to see if there were any updates, and thought back to reading Dune.

Back then, I called his sister up and we went to Denny’s. She was writing in a notebook (as she often did), and I was reading. At the time, California was going through a drought and there was a law passed about not serving water in restaurants unless the customer asked.

Without my asking, the waitress brought me water, and I was offended. It’s then that I realized the book had creeped in under my defenses and changed me.

I remember thinking: Nicely done, Mr. Herbert.

Originally published at deirdre.net. You can comment here or there.

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…about Vera Nazarian and Norilana books, because it’s bigger than I thought.

Let’s talk about $170,000 in 2008 and 2009 — and not enough money to pay royalties at the beginning of 2010.

I remembered she’d had a bankruptcy, and when I went to look, I didn’t see the second bankruptcy because of how I searched.

Bankruptcy happens, and I’m not going to judge anyone, including Vera, for taking advantage of it, but two Chapter 7 discharges is unusual. National average for repeat filings is around 8%.

Before you object to divulging of some of the numbers below, remember that this is a public record. You could get the same information I did. There is a point, I’m just drawing circles around it for you to make your own conclusions.

2002: Bankruptcy, Chapter 7, California. Case 1:02-bk-12569-AG
2008: Borrowed $50k for business operation loan from Kevin O’Donnell, Jr. (source: 2012 bankruptcy filing)
2008: Fundraiser ($30k) to save house from foreclosure (which I helped run)
2009: Borrowed another $50k for business operation loan from Kevin O’Donnell, Jr. (source: 2012 bankruptcy filing)
2009: Business income of $41.8k (source: 2012 bankruptcy filing)

So: $50k loan + $30k fundraiser + 50k loan + 41.8k income = more than $170,000. That number excludes business income in 2008 and all other sources of income in 2008 and 2009.

2010: Public statement about Norilana being late in paying royalties
2010: Postponing several anthologies
2010: Business income of $37.4k (source: 2012 bankruptcy filing)
2011: Foreclosure finally happens, then move to Vermont
2011: Business income of $13k (source: 2012 bankruptcy filing)
2012: Bankruptcy, Chapter 7, Vermont. Case 12-10003, debts discharged $158,064.27. Of those, $109,364 is due O’Donnell. Link to PDF of her schedules, which has some information Norilana’s cash flows. Link to her filing, which has more data.

This is interesting:
Debtor
Vera Nazarian
[...]
dba Norilana Books

…yet there is nothing showing any royalties due any authors. They are not on the creditor matrix. They should have been.

2012: Kickstarter to fund one of Vera’s books. Funded about six months after her discharge.
2012: Kevin J. O’Donnell, Jr. dies of metastatic lung cancer. SFWA renames their service award after him.
2013: Eugie Foster announces she has cancer, then, tells people she hasn’t received royalties from Norilana for three years.
2013: Current Indiegogo fundraiser to fund Vera’s next book.

Edited to add: this Indiegogo fundraiser from Aug-Sep 2013 that I had not previously known about.

Originally published at deirdre.net. You can comment here or there.

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I know a lot of you have heard about Eugie Foster’s plea for help in the light of her cancer diagnosis.

I also have noticed a lot of people are minimizing or excusing Vera Nazarian’s (and Norilana, her small press) part in all this.

Look: Vera hasn’t paid royalties in three years (by Eugie’s comment and Vera’s own admission). If it were anyone other than an author telling a sad story, we’d be all over them. Vera says she’s ashamed. I doubt that. Plus, telling a sad story is a core competency for a Nebula-award-nominated author, isn’t it? In Vera’s case, the narrative has arguably become her life’s work.

Example (quoted from above link):

I am doing all I can to remedy my situation, working NON-STOP.

No. You are not doing all you can. Not in the least. Other people have had to wrest their rights from you. If you can’t afford to pay the suppliers for the things you sell — and haven’t been able to for three years, you should not be selling those things and keeping the money. Which you are, by your own admission, doing.

Vera’s been able to pay her SFWA dues, apparently, as she’s an Active (but not Lifetime Active) member. So she puts more value in paying the organization than the organization’s members she’s published.

Last year, Vera held a Kickstarter to raise money for a book. Not to pay money she owed her authors, but for herself. And now she’s doing another fundraiser (which I will not link to, and I will delete any comment that does) for writing her next book. But not for paying her authors.

Look, this isn’t a short-term problem, and it’s not going to resolve. She knows that.

Several of us ran a large fundraiser for her years ago. Those of us administering the fundraiser heard about vast sums of money (more than the thirty grand we raised) borrowed from other people, and she couldn’t pay that then. However, we didn’t hear it from the people themselves (so I don’t know how much truth there was to the numbers I heard), and we’d already committed to the fundraiser. It left a bad taste in my mouth.

So, I ask: if you know you can’t pay your authors their royalties, and you keep selling their books and, therefore, accruing the royalties due them, and you still need more cash from a Kickstarter: what’s the word for that kind of behavior? (Please do not post it, as I don’t want anyone to be accused of libel or slander. But you know what I mean, right?)

What I can say is this: Good behavior is a choice. It’s never too late to start. It may be too late to avoid some of the consequences, true.

See, when I buy a book, I am trusting that the author will get paid in a reasonable time. It’s not just a contract between the author and the publisher (and all the booksellers and wholesalers). It’s also a social contract between the purchaser and the publisher. Vera has betrayed our trust. I should be able to buy any of Eugie’s books in any format and trust that Eugie will get paid.

So, here’s what I suggest:
1) Vera should revert all rights to all Norilana titles that aren’t public domain or authored solely by herself. Yank all such titles out of all stores. Even if the authors are your friends, because you are not being one of theirs. The authors should not have to ask.
2) No signing any new authors or collections until Vera’s able to pay royalties again and has paid all past royalties.
3) Calculate all the amounts owed and pay them (or work out a realistic plan for the monies owed). I’d be happier if this was done with the help of a neutral third party.
4) Provide camera-ready copy to all authors and editors for existing works, including any artwork Vera has the rights to. This will make it easier for authors to re-publish their work themselves.

Oh, and start with Eugie Foster. [apparently Eugie's print rights reversion is already in process]

Vera’s behavior is not that of someone who’s had a run of bad luck over the short term. There’s a more fundamental and deeper problem here. Every time someone brings it up, she turns the whine machine on full tilt. It becomes all about Vera, Vera, Vera.

It’s misdirection.

The whole problem with making an author ask for their rights back when Vera’s got the Poor Me Machine running full tilt? It means that only certain kinds of people will ask, or will ask only when others rage on their behalf. Thus, Vera can continue to take advantage of everyone else.

If we stop falling for this bullshit, maybe it’ll stop happening.

Originally published at deirdre.net. You can comment here or there.

deirdre: (Default)

Okay, I’m being obnoxious with the post title. Granted. And I will concede that there are many good reasons to vote for a particular site over another, one of which is that you think that a given committee will deliver a better convention.

I’m not talking about those reasons.

I know I’m an experienced traveler (and known for same), so I tended to hear people’s travel-related objections to the various proposed Worldcon sites more than other people did.

Here are some of the actual objections I heard about the Finland 2015 Worldcon bid:

I don’t like the TSA

Well, then you should actually only vote for Worldcons outside the US because when you travel there, you’ll only have to deal with the TSA half as much, assuming that your last flight is an international flight. (Example: Helsinki-Frankfurt-San Francisco rather than Helsinki-NYC-San Francisco)

If you don’t have to connect to a domestic flight in the US, then you only have to deal with the TSA on your outbound flight.

Or you could move to San Francisco; we don’t have the TSA there (we have CAS).

I hate the hassles of airport security

So apply for TSA Pre-√. (This assumes Southwest is not your carrier of choice.) For US Citizens and permanent residents, I recommend applying through Global Entry, which also gets you quick immigration. Other programs like NEXUS (Canada) and SENTRI (Mexico) can participate.

And, bonus, Global Entry also means you get the fast immigration line into New Zealand, so you’ll be all set for 2020.

What does Pre-√ get you? The front of the line, even at airports with no Pre-√. The short line (I’ve never seen it more than 4 people long) at airports that do. No taking shoes off. No porno scanner. No unpacking into six bins (I seriously am not exaggerating here, I’ve actually needed six bins more than once). Most people will not need to unpack anything.

On the way back, you can skip the long immigration and customs lines. Stand at the kiosk, answer the questions, look at camera, fingerprint scan, take the receipt, you’re done. It has saved me over 20 minutes at times, though the minimum it’s saved is about a minute and a half.

Recent report from a travel friend, arriving back in the US from Rio:

At IAH (Houston). Sprinted to USCIS (US Customs and Immigration Service) because I’m a noncitizen and I had to beat the São Paulo flight that arrived at the same time as us. Managed to be first in line at immigration, and jetsetr still beat me through using Global Entry after sauntering down from the aircraft.

English isn’t Finland’s first language

English isn’t the first language of aliens, either, but we supposedly love them and crave first contact.

There have been four Worldcons in countries/regions where English was not the first language: Heidelberg (1970), The Hague (1990), Yokohama (2007), and Montreal (2009).

I’d argue that average Finnish command of English easily exceeds that of the average in Montreal. Like the Netherlands, English is very commonly spoken. In fact, I’d argue that the average Finn speaks English at least as well as the average American.

But transit … in a foreign country

Look. I’ve been to a lot of airports in a lot of countries. I think I can safely say that if I can find my way around airports in countries where the non-Roman alphabet makes no sense to me, so can you.

Much as English is the international language of aircraft controllers, almost every sign in almost every airport in the world is in whatever the country’s native language is — and also in English.

Every flight readerboard I’ve ever seen is also in English. Every ATM I’ve seen has English as an option, even in countries that don’t get a lot of American tourists (e.g., Myanmar).

But I’d rather drive/train/bicycle

Fuck Isaac Asimov.

You can have your NASFiC wherever. Let the Worldcon location be freer.

Even Asimov knew how to take a ship. (Hint: Cunard still offers the same transatlantic service it did in Asimov’s days, just less frequent. If you want to go to Europe and don’t want to fly from North America, that (or another line) should be part of your plans.

(For those who don’t know, Asimov never drove or flew. Ever.)

But I need a CPAP on my flight

Get a travel battery. Call the airline, tell them your CPAP’s model number. They will have their medical department clear you. Call to re-confirm 72 hours prior to flight.

It’s not rocket science.

I will admit to having screwed this up once. I’d had a ticket glitch on a United award ticket (during the merger last year) and my clearance got disconnected from the reservation when my ticket blipped out of existence. I’d called to reconfirm one ticket but forgot to check the second. The Swiss airline captain had to call to ground to get clearance. Fortunately, there was documentation on my other non-glitchy reservation. It is possible to get it cleared in flight like that, but I wouldn’t recommend it — it’s awfully embarrassing.

From a perspective of someone who flies a lot — a 10-11 hour flight, like one to Europe, really is the best length. Shorter flights break up sleep habits too much.

I have another medical condition that makes travel difficult

You know what? It happens. Maybe this particular Worldcon isn’t meant to be for you. None of us know for sure we’ll be able to do anything two years hence, so why hold up other people’s fun? Vote “No Preference.”

I know of people who’ve been to Worldcon under some pretty gruesome medical situations — mid-radiation, mid-chemo, and, in the case of a friend, post-terminal diagnosis.

Some conditions are showstoppers for travel, some aren’t. You’d be surprised at what people can travel with, though. I’ve heard stories about extreme medical tourism to Thailand in particular (and if you’ve been to Suvarnabhumi airport and seen the ads, you’ll understand).

Finland’s too expensive

I once heard the Hugos disparagingly described as an award ceremony held by “people who can afford a thousand dollar weekend.” He wasn’t wrong.

San Francisco to Spokane is $546 for next summer. San Francisco to Helsinki’s $1079. Spokane’s room night rate was $139. Helsinki was $80.

For one person, a flight and five nights would therefore wind up being $1251 for Spokane and $1479 for Helsinki. True, Helsinki’s higher, but it’s not as much higher as you might think.

Yeah, but I’m not traveling alone, you say. Fine, for two people sharing a room, Spokane would be $1787 ($894 pp) and Helsinki $2558 ($1279 pp), or $385 more per person.

Or, put another way, from San Francisco, one person going alone to Spokane is pretty much a wash, cost-per-person-wise, with shared accommodation in Helsinki.

Now, I’m not saying the costs aren’t real, or that they’re insignificant. I’m just saying that people were probably not looking at the whole picture or considering that they have two years between now and then.

I’m also going to say: consider the inverse case. Consider how many foreigners would come if it weren’t for the TSA, if costs weren’t so daunting, and if there weren’t language barriers.

I, for one, would like to hear more from the rest of the world, and that means holding Worldcons there.

Originally published at deirdre.net. You can comment here or there.

JayWake

Jul. 29th, 2013 11:04 am
deirdre: (Default)
Photo by Howard Tayler

Photo by Howard Tayler

Rick’s on the right in the loud Hawaiian shirt and Panama hat. I’m on Rick’s left, but not really visible in the pic.

For those of you who don’t know what JayWake is about, Jay Lake got his terminal cancer diagnosis recently and decided to hold a wake while he was still able to attend. Here’s his blog post about the event.

I’m not big on writing con reports generally, but I’ve certainly attended smaller conventions than JayWake turned out to be (attendance was around 200 people).

Before the formal event started, Jay said he’d planned to donate his body to medical school and had considered getting a tattoo that said, “Hello, I’ll be your cadaver this semester.”

As one might expect, Jay entered the event in a coffin, then popped out.

Kelly Buehler and Daniel Spector prepared a video from New Zealand, and the ending was a rickroll. I said to Rick, “You know, that’s actually the first time I’ve been rickrolled in a non-professional context.” Job hazard.

The rest of the quotes are mostly hilariously out of context:

“Would all the women who haven’t slept with Jay please raise your hands?” (surveys raised hands) “Well, Jay, you can’t die yet.”

About Jay’s polyamory: “Jay’s seen more holes than two families of gophers.”

About cancer — and Joan of Arc (!) — “They’re all dead, but they had hope.”

When asked the true story of how he knew Jay, one response included the following: “Now, ordinarily you wouldn’t read a book in a brothel….”

There was actually a funnier line that followed this, but my limited prose buffer only kept: “The morning after his surgery, he tried to break out of the hospital like a ninja. As you do.”

“He’s kinda like a corpulent, emo, Jiminy Cricket.”

“He’s famous for being a tumor-ridden love machine.”

About Jay’s “ass cancer” winding up in the wrong places in his body: “How about for your next fundraiser, we get your cancer a fucking GPS?”

In his wrapup, Jay said: “I have become medically interesting in two different ways, which is not really something you should aspire to.”

This could have become a maudlin hand-wringing event. This is the kind of event that relies — a ton — on not only the honored guest, but also his or her friends. Everyone kept it interesting and different. And it was interesting and different, even the parts that were painful.

Anyhow, it turned out to be a lot of fun, though emotionally exhausting. I spent most of Sunday sleeping it off, but that’s probably also partly residual jet lag.

Originally published at deirdre.net. You can comment here or there.

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Once upon a time, when I was talking casually with a guy about bringing me in for an interview, he asked, me, “So how do you feel about working in a group that’s almost all men?”

Until that point, I hadn’t really thought about it. The reality of my job as a software engineer has been that I’ve been surrounded by men in my professional life. Fortunately, I like men. Bunches.

What I very rarely say, though, is how male dominated it has been. For the first sixteen years I worked as a software engineer, I worked with no female software engineer peers.

Zero.

Just imagine what it would be like to work in your field, whatever it happens to be, with every one of your same-sex peers erased. For sixteen years.

What’s perhaps odder in retrospect was that it didn’t seem the least bit strange until this guy lampshaded it quite a few years later. I wrote down everyone I’d worked with at every company and what they did. Surely I’d missed some woman somewhere.

Nope.

Part of this was the type of programming I was doing: I started out in scientific programming. I didn’t work (as I do now) for a large company in a large team that has a large percentage of women (less than half, but the highest percentage of women I’ve ever worked with). Even when I previously worked as a consultant for a large company on a team of almost 40 people, there were two other women, but neither were software engineers. Thirty-odd of us software engineers, and I was the odd.

So I guess part of how I feel in the whole SF/F thing is: I feel no less welcome than I have in my day job career. Which is: it basically hasn’t been an issue for me.

Oh sure, there was the one boss who was trying to overthrow all women of power. He, uh, Got Resigned. And there was his replacement, who was worse. I could tell you stories, but they’re frankly the kind of thing you wouldn’t believe in a novel, much less in reality. But I can say that he didn’t act sexist toward me. Flying his “admin” back and forth every week, though, that was another story. That’s two bad apples, and there were many good ones.

I was never treated as though I was there simply because I was female. Nor was I treated like I was unique because I was female. I was just another person, there to do a job.

I’ve worked with quite a few non-white software engineers (and managers) over the years, but in my entire career, I’ve only worked with two who were black: one was an African immigrant, and the other was an African-American man who was just beginning the transition from support staff to engineering. I’ve also worked with a number of LGBT* folks, too, though I suspect I’ve worked with more than I’ve known about.

So, coming from my professional background, the field of SF/F has felt to me like it’s stuffed to the rafters with talented and diverse people, except for the relative paucity of Indian SF/F writers relative to the numbers I’ve known professionally.

No one ever called me a “lady software engineer,” nor would they have been able to do so twice. So I sure as hell am not a “lady writer ”or “lady editor,” either.

Originally published at deirdre.net. You can comment here or there.

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Wow, I know so many of you this year. Congratulations to all.
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For those of you in the bay area who aren't going to Worldcon, [livejournal.com profile] trinsf has agreed to be both con chair and vice chair for a Bittercon, which will be an actual in-person event:

Trepidation 2009, to be held at the San Francisco Embarcadero Hyatt Regency.

Be there, or be too bitter for Bittercon.

I've proposed a write-in/critique-in/edit-in on Friday. You know, in the hotel bar.

Then we can have our Vodka Klatches after.

Or something.

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