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Last year, Rick and I took the non-stop to Frankfurt, where it took literally 1-1/2 hours to get from the gate we arrived at to the Lufthansa club nearest the gate we’d be departing from. Then we lazed about in amazing chairs for a while before catching our flight to Istanbul.

Our flight lands in Istanbul at 1:30 in the morning, though it was closer to 2 before we managed to pay our visa fees at the airport, get our passports stickered, and wander over to the immigration queue.

We took a cab to our hotel. The cab driver liked a genre I’m not generally into: light jazz.

Until the next song started. I remember driving along parallel to the Bosphorus, the famous bridge in the distance, mere days before the protests started up.

The song changed, and suddenly, I forgot where I was, completely involved in the music. I pull out my phone, launch SoundHound and ask it to figure out what song it is.

Yachts (a man called Adam mix) by Coco Steel & Lovebomb.

It had been used in the opening scene of Fairly Legal Season 2 and somehow I’d assumed it was incidental music written for the show. When we got to the hotel, I bought the song off iTunes.

Here’s part of that scene:

I started using SoundHound in 2011, and it’s really been great for finding songs that remind me of places and times. First song I bought after finding the tune with SoundHound? I was in New Orleans over the holidays.

Tootie Ma Is a Big Fine Thing by Tom Waits and the Preservation Hall Jazz Band.

When Rick and I were in Puerto Rico having a great dinner, SoundHound found a song playing in the restaurant, Gilberto Santa Rosa’s Amor Mio No Te Vayas.

So. Check it out. I especially like the fact that you can have it listen for a clip, then save that for later so you can search when you have bandwidth. Perfect for international travel on sippy cup (or nonexistent) data plans.

Originally published at deirdre.net. You can comment here or there.

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Now that Fairly Legal Season 2 is being broadcast in worldwide markets, I keep seeing people ask what season 3 would have been like.

Several of us who’ve done a lot of writing have discussed this, and I’m sad to say that others have come around to my point of view. In short: I believe this was answered in the first scene of the second season.

Specifically, it’s this line:

No. No. I tend to make things much worse, and then I disappear.

That’s the proverbial Chekovian gun on the mantlepiece. Since it didn’t happen at the end of season 2, my guess was that it was intended for the end of season 3.

Sarah Shahi has said that Kate was going to be very “Sex and the City” in Season 3, dating lots of guys. Implication being anyone other than Ben.

And, honestly, in the sense of keeping a longer-running show around, it was too early to put Ben and Kate together. Look at how long the romantic lead-up was in Castle. Or CSI. (In CSI, I like that it didn’t turn out to be Happily Ever After for Grissom and Sara, but then there’s the awkward part of the relationship being shorter than the buildup.)

Show Longevity Revolves Around UST

Where UST = Unresolved Sexual Tension. That’s what sells advertising, and TV shows live or die based on ad spend. You can throw a believable male/female spark between the primary characters, press them -> <- this far apart for a few years, make each episode otherwise decent, and you will have a loyal and built-in female audience for that show in the prime market segment.

Look at how well it’s worked for The Mentalist. Baker and Tunney are cute enough on their own, but what keeps women coming back is the longer arc about their relationship, which I tired of some time around the beginning of season 3. Plus, IMHO, the writing is meh, so it’s not enough to keep me interested without the relationship.

Frankly, I don’t get the appeal of several-seasons-long UST. I’ve never been the kind of woman whose attention could be held by one small thing here, and another small thing many weeks later. As a writer, I’m fascinated that (other) people can be held that way.

I suppose this is one of the things that utterly fascinates me about the fanfiction community. If you search on fanfiction.net, you’ll find that many of the top-favorited fics are very long. Several hundred thousand words (aka several books) long. Here’s a Twilight one that tops half a million words. A Star Wars one that’s 300k words. A 400k Glee fic. (Note: I haven’t read any of these; I generally limit myself to ones that are no more than typical novel length.)

As a footnote, I’ve come to a new understanding of serious fanfic writers: fanfic is like improvisational jazz for writers. You get to take someone else’s motif and play with it. I like the pieces that subvert the underlying work’s tropes or add meta layers to them. I love weird crossovers (Fairly Legal/V anyone?). A piece I admire concept-wise (but have only read a bit of) is this meta-fanfic where Bella is a fanfic writer and Edward is one of her readers. Note: half a million words and a lot of UST.

Dividing Loyalties

The love triangle’s a hard one, and I think Fairly Legal lost ratings because it divided crucial viewers between the Justin camp and the Ben camp. Most of the new viewers were solidly in the Ben camp, and it’s interesting to note that essentially all the fanfic written after Season 2 started was about Ben and Kate, not Justin and Kate.

Working backwards from the final scene of season 2, I get why it happened the way it did, but it would have been far more sympathetic to the Justin shippers for Justin to find a new and compelling possible romance to give the Justin fans something to look forward to.

Worse, Kate’s Sex and the City antics in season 3 would have lost many of the Ben shippers, including me if it had gone on too long.

Character Arcs

The opening bar scene in season 2 made me wonder: was Ben intended to be a two-season character? Or not? As someone who loved the character, had he stayed disappeared after the end of season 3, I’d have stopped watching. My expectation for the season 3 ending would have been that Ben would have disappeared sometime in the final episode and Leo and Lauren–and possibly even Justin–would have pushed her into going to look for Ben, with the final moment being them seeing each other, leaving that moment hanging in the air. Because, you know, season finales and cliffies go together like strawberries and whipped cream.

That Word

Speaking of, I have to say that I really, really love where season 2 of Fairly Legal wound up. I think it was one of the best moments I’ve ever seen for a show ending, because it both closed off a lot of possibilities, but left the new season (if there were to be one) open in the way most season endings don’t.

I need a word for that. It’s almost the opposite of a plot chokepoint.

Said ending caused my plot brain to go into overdrive for months. Every morning, I’d dream a new plot that could stem from that moment.

Originally published at deirdre.net. You can comment here or there.

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Rick and I were discussing my favorite kinds of shows as I was whining about Fairly Legal being canceled. He pointed out I liked smart shows with good dialogue, complicated plots, and layers to them — and that most people simply couldn’t relate to them. I also really like a good sense of humor in a dramatic piece, but it’s not something that’s absolutely necessary for me.

My three favorite movies, in order, are: The Player, Duplicity, and Inception: all but the last have a great sense of humor; Inception probably would be my favorite movie if it were warmer and funnier.

So let’s go over those doomed series. This will be the first of a one-post-per-show format.

Fairly Legal

For this show, I really loved the writing. There were lots of places where things were left far more open than in a typical series, and I just love that kind of pointilist dialogue.

There were, unfortunately, a lot of fans of the soon-to-be-ex-husband on the show, aka #TeamJustin. Having built that up for a year, introducing Ben was bound to cause some of the fans to become disaffected, though many of us who liked Justin in the first season switched to #TeamBen. For me, I liked Ben from his first episode, though I saw his flaws, but for others, it didn’t happen until around episode 8 (“Ripple of Hope”) of 13 episodes, which was, imho, way too late to get people on board. Some people stopped caring about the show as a consequence. Side note: iTunes claims I’ve watched Ripple of Hope 192 times. Ahem.
lots more follows )

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Here are some series I have loved in Season 1 or 2 that have died an early death, in approximate reverse order. These are all series where I became a fan within the first two seasons in real time and was religious about not missing an episode.

Fairly Legal
Alcatraz
Terra Nova
FlashForward
Caprica
Stargate Universe
Firefly
The Agency (CIA show with Jason O’Mara and Paige Turco), brilliant in Season 2, never on DVD. :(
The Lone Gunman
Crusade
Cleopatra 2525
Prey
Space: Above and Beyond
oh, and Twin Peaks

Notice anything about the show longevity?

Originally published at deirdre.net. You can comment here or there.

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Sorry to see you go, Fairly Legal.

There’s really only been two shows I’ve fully bonded with in the last few years: that one and FlashForward, but they appealed to me in completely different ways.

I’ll write about that later.

nu9sr

Originally published at deirdre.net. You can comment here or there.

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From Fairly Legal, Season 1, episode “Coming Home”, a key conversation between Justin and Kate. From this, it’s fairly obvious that Justin filed for divorce and that Kate didn’t want to split up.

K: (Knocks on Justin’s door) Hey, I tried calling you, you didn’t answer your phone.
J: That’s because I didn’t want to talk to anybody.
K: I’m really sorry I betrayed your confidence.
J: So you just apologize and everything’s all right?
K: Justin, it’s me we’re talking about.
J: You’re unbelievable, you know that?
K: Aww, Justin. I’m sorry. But don’t hold this over my head just to get even.
J: This isn’t about getting even. This isn’t about Paul Hainsley and you know it.
K: All right, fine. I admit it. I’ve been avoiding signing the divorce papers. It’s…. I really like things the way they are.
J: What we have is not a marriage, Kate.
K: I know, and isn’t that great?
J: How is that great?
K: Well, when we were married married, we never had any time for each other, right? And that created pressure.
J: Which I was willing to work through; you weren’t.
K: It’s everything I loved about the relationship without actually having to be in the relationship.
J: So it’s all the fun without the work, right?
K: Yeah, so what’s wrong with that?
J: Where do I start?
(they kiss)
J: Stop.
K: What’s wrong?
J: This is what we always do.
K: Yeah, there’s good reasons why we should.
J: No, and then it just goes back to the way it was before and nothing changes, and I don’t want to do this any more, Kate. I can’t.
K: Sure you can.
J: No. I can’t. What if you were mediating this relationship? What would you say? Ignore the problem. Let’s go to bed. Nah. You’d say fix it, right?
K: Maybe.
J: Yeah. I love you, Kate. But what we have is broken. We can’t keep pretending that it’s not.
K: Justin.
J: (backs away) I’m sorry.

And the opening scene from season 2′s first episode, Satisfaction, where Kate and Ben meet. It essentially is a plot map for much of season 2.

K: (plays with rim of glass)
B: Plymouth and tonic.
K; Check, please.
B: Do you always come in the door leaving?
K: Umm, it is Not My Scene.
B: But, here you are, so you were either born on that bar stool or you came in here disguised as a woman who wants attention.
K: And you’re wearing a $3000 suit with a pocket square.
B: I believe my motives are clear.
K: Sorry. It has been a while since anyone’s offered to buy me a drink.
B: Really? Did the world go blind?
K: (Laughs) I’m married. Was married. Now I’m not. Anyway, the ex is on his way to sign the (waves hand) whatever, but it looks like he has blown me off.
B: Well, it’s just as well, or he would have changed his mind.
K: (Laughs) Nice try. Maybe it’ll feel normal some day.
B: Do you believe in fate?
K: Wow, was that a line?
B: It’s a question. Takes the edge off picking up strangers in bars.
K: I’m 29. I’m, uh, nearly divorced, recently orphaned, more recently out of a job. My life is kind of at this unexpected turning point, so yeah. I do believe in fate. And I believe she is a fickle, fickle bitch. [nice recap for people who didn't watch Season 1]
B: You seem broken.
K: (laughs)
B: I like that.
K: And you’re a fixer.
B: No.
K: Yeah.
B: No, I tend to make things much worse, and then I disappear.
K: Well, at least you’re decent enough to be honest about it, you don’t see that much.
B: Oh, you must be a lawyer.
K: (lying) Schoolteacher.
B: Right. You’re a schoolteacher and I’m a decent guy, so (raises glass) cheers to honesty.
K: Hey, cheers. Yeah. (laughs) And good night. (gets up, starts leaving)
B: Is truth the way to your heart?
K: (turns)
B: Withdrawn, counselor, I misspoke. We have not yet established that you have a heart.
K: The way to my heart would be to do everything and to say nothing. No negotiation, no foreplay, no strategy. Just be who you are and take me.
B: (stares)
K: (whispers) Too late.
B: (stares after her as she leaves)

Originally published at deirdre.net. You can comment here or there.

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Love this opening dream sequence from the upcoming Fairly Legal episode “Borderline”:

“They’re smart enough not to chase cars.”

Originally published at deirdre.net. You can comment here or there.

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Fairly Legal, Season 2 (thus far)

After season 1, USA axed the show creator and brought on a different show creator, then brought in Ben as a love triangle character. Season 1 was about the rather broken relationship that Kate had with her soon-to-be-ex husband Justin, which was summed up in season 1′s episode “Coming Home”:
cut for post length and spoilers )

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