Feb. 1st, 2015

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Rick and I went to go see this charming production of Gilbert and Sullivan’s last operetta yesterday. Neither of us had ever seen it staged before, though we’d both heard the music.

yeoman-of-the-guard

Love, intrigue, and comedy are in the air in London in 1515! Sweet Phoebe Meryll loves Colonel Fairfax; Fairfax is utterly oblivious. Assistant Tormentor & Chief Jailer of the Tower of London, Wilfred, loves Phoebe; Phoebe finds him oafish and abhorrent. Jack the jester loves Elsie, the dancing girl; Elsie sees him more like a brother and colleague. Meanwhile, the Yeomen of the Guard love their peaceful job guarding the Tower of London…until their routine takes a topsy-turvy turn when a mysterious new soldier joins their regiment. With Colonel Fairfax accused of sorcery and sentenced to meet his doom at the headsman’s block, to whom will he turn for solace, a reprieve, or…short-lived matrimonial bliss? A rollicking musical tale of deception, devotion, duty, and (dare we say?) death, The Yeomen of the Guard is a show not to be missed!

Dates and Times

Friday, 2/6 at 8 pm

Saturday, 2/7 at 8 pm

Sunday, 2/8 at 2 pm

All performances will be fully staged with orchestra in Dinkelspiel Auditorium, located at 471 Lagunita Drive, Stanford, CA 94305.

Tickets: $20 General; $15 Seniors and Stanford staff/faculty with ID; $10 children and students w/ ID.

The Dinkelspiel Box Office opens 1 hour prior to show-time for same day sales and Will Call pickup. Please see a cast or staff member, call 650.725.2787, or visit the Stanford Ticket Office for advance ticket sales starting Wednesday, 1/28.

Originally published at deirdre.net. You can comment here or there.

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elloras-cave-blog-header

First, Courtney Milan has an update and gave a better non-technical distinction of Motion to Dismiss vs. Motion for Summary Judgment.

(It is true, I am trying to keep up with even the dry court minutiae.)

Defense Witness List

In that post, Courtney publishes Dear Author’s/Jane Litte’s witness list:

@PubNT Twitter account

The Pub Net Twitter account has made a series of statements on Twitter since the outset of this case, that are with obvious knowledge of the case at hand. The author behind this Twitter account will have additional information as to the operations of Ellora’s Cave.

Tina Engler

Tina Engler is the founder and head of Ellora’s Cave and will have information and knowledge pertaining to the financial viability of Ellora’s Cave, including the payment schedules of authors, editors, and cover artists affiliated with Ellora’s Cave.

Patty Marks

Patty Marks is the CEO of Ellora’s Cave and will have information and knowledge pertaining to the financial viability of Ellora’s Cave, including the payment schedules of authors, editors, and cover artists affiliated with Ellora’s Cave.

Susan Edwards

Susan Edwards, at all relevant times, was the COO of Ellora’s Cave and will have information and knowledge pertaining to the financial viability of Ellora’s Cave, including the payment schedules of authors, editors, and cover artists affiliated with Ellora’s Cave.

Raylene Gorlinksy

Raylene Gorlinksy is the Publisher of Ellora’s Cave and will have information and knowledge pertaining to the financial viability of Ellora’s Cave, including the payment schedules of authors, editors, and cover artists affiliated with Ellora’s Cave.

Whitney Mahlik

At all times relevant hereto, Whitney Mahlik was the Managing Editor of Ellora’s Cave and will have information and knowledge pertaining to the financial viability of Ellora’s Cave, including the payment schedules of authors, editors, and cover artists affiliated with Ellora’s Cave

Courtney Thomas

At all times relevant hereto, Courtney Thomas was the Chief Financial Officer of Ellora’s Cave and will have information and knowledge pertaining to the financial viability of Ellora’s Cave, including the payment schedules of authors, editors, and cover artists affiliated with Ellora’s Cave.

So, I’m guessing we’ll get to find out who the mouthy mockernut is after all. Popcorn, anyone?

Originally published at deirdre.net. You can comment here or there.

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